Dewey Redman

Jazzfree jazzavant-garde jazzpost-bop innovator

In 1967 San Francisco's tenor saxophonist Dewey Redman (1931), who had already recorded an original Look for the Black Star (january 1966) for piano-based quartet, moved to New York and joined Ornette Coleman's quartet (1967-74). While his huge tenor counterpoint to Coleman's alto was mesmerizing the audience of free-jazz, Redman penned more originals for a trio session with the Art Ensemble of Chicago's bassist Malachi Favors and Don Cherry's drummer Ed Blackwell

Influenced by: Ornette Coleman, Don Cherry, Art Ensemble of Chicago

Active:
1960s-1990s
Scene:
San Francisco / New York
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